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The
Minstrel
By Edward
Willett
(The Minstrel was originally published
in JAM Magazine in the mid-1980s.)
The music sang of the
infinite Dark and the suns that burn within it. It shimmered like
starlight on alien seas, and whispered with the voices of strange
winds.
Kriss stopped playing,
and as the last chord died slowly away, sat quietly with his head
bowed, cradling his touchlyre in his arms. The orange glow of the
oil lamps gleamed on the instrument's polished black wood and
burnished copper.
One by one those in the
smoky bar, mostly offworlders, rose from their tables and came to
the low platform where Kriss sat to drop coins into the wooden bowl
at his feet. The murmur of their conversation was slow to resume.
When the last had come and
gone Kriss stood, bowed, and left the stage. He divided the money with
the innkeeper, then slipped the touchlyre into its soft leather case and
went out into the chill night air.
In the cobblestoned street he
stopped and looked up at the stars blazing in the night sky, as he did
every evening when he finished playing, burning into his mind's eye the
goal for which he had striven, it seemed, forever.
Two local men staggered by.
One poked the other with his elbow and nodded toward Kriss. "Uppity
offworlder," he whispered loudly. His companion made an obscene gesture
at the boy, then, laughing, they weaved on down the street.
Kriss clenched his fists,
then spun and strode in the opposite direction.
Where the cobblestones ended
and concrete began, artificial lights banished the night. At the sight
of them Kriss forgot the drunks' insults and broke into a run. In a
moment he reached the tall wire fence that surrounded the spaceport and
pressed his face against the cold mesh, peering through it at the
starships, silver spires that seemed to soar skyward even though
standing still. The lights glittered on their mirrored sides.
There lay the path to the
stars, away from this hated planet where he didn't belong, couldn't
belong, though he had been raised on it. The drunks had known; they had
seen his height and his blonde hair and had known he came from the
stars.
Somewhere out there must be
his true home; somewhere out there he had to have a family. His parents
were dead, but they had to have had parents of their own, brothers,
sisters...
He blinked away tears, and,
disgusted with his own self-pity, turned away from the fence and set out
along a dark, garbage-strewn alley for his barren lodging, a tiny attic
room above a seamstress's shop. He was fooling himself if he thought he
would ever leave Farr's World, he thought bitterly. The spacecrews
called him "worldhugger"; neither Union nor Family, and without contacts
in either of those spacefaring groups, he could never gain a berth as a
crewmember, and he could entertain in spaceport bars for the rest of his
life without raising enough money to buy passage into orbit, much less
to another world.
Lost in dark thoughts, he
didn't realize he was being followed until a hand touched his shoulder.
He instinctively spun away
from that touch and pressed his back against a rough stone wall, his
heart pounding, his arms wrapped protectively around the touchlyre.
"I mean you no harm," said
the man who faced him. Shadows hid his features. "I only want to
talk."
Kriss did not relax. "Then
talk."
"What is your name?"
Kriss said nothing.
"Perhaps if you knew
mine...? I am Carl Vorlick, a dealer in alien curiosities." He waited.
"My name's Kriss Lemarc,"
Kriss said finally. "Why?"
Vorlick ignored the
question. "And how old are you?"
"Fifteen, standard."
"That would be just about
right." Vorlick's eyes glinted faintly in the starlight. "I heard you
play in Andru's--remarkable. Almost as though you projected emotion,
not just sound."
Pleased despite himself,
Kriss shrugged. "My instrument is...special."
"Indeed it is. And very
beautiful. May I...?" He held out his hand.
Kriss looked up and down the
alley, but saw no hope of rescue. Slowly he unfolded the leather
covering and took out the touchlyre. The copper fingerplates and
strings shone even in that dark corner.
Vorlick took a handlight from
his pocket and played the beam over the instrument. Kriss caught a
quick glimpse of a lean face with thin lips and ice-blue eyes before the
light switched off. "Lovely," the man murmured. "How does it work?"
Kriss hesitated. "I hear
music in my mind, and the touchlyre plays it," he said finally. "I
can't explain any better than that."
"Touchlyre?"
"That's what I call it. I
don't know what its real name is."
"Where did it come from?"
"It belonged to my parents.
But I don't even remember them."
"Your parents, yes." Vorlick
paused for a long moment, then said, "You desire to leave this world,
don't you?"
Kriss said nothing. This
stranger knew too much. Once again he glanced up and down the alley.
He would have welcomed even the two drunks who had insulted him
earlier--but there was no one.
But Vorlick took his silence
as consent. "I own a ship."
Kriss stiffened. "What do
you want from me?" he demanded; but inside he already knew.
"The price is small: your
instrument. Give the touchlyre to me, and I will take you into space."
Kriss looked down at the
touchlyre. "It's that valuable?"
"To the right person,
everything is valuable. Your music spoke of your longing for the
stars--some of those hardened spacefarers in Andru's were near tears.
You value the stars, I value your instrument. A fair exchange."
"A musician once told me
there isn't another instrument like this one in the galaxy."
"But there are other
instruments. You could choose from those of a thousand worlds. Surely
one construction of wood and metal is not so different from another?"
To go to the stars, Kriss
thought. To cross the great Dark, to breathe the air of alien worlds,
to perhaps touch Mother Earth herself...
...to find a family...
Almost unconsciously, his
arms loosened from the touchlyre. He looked up again at the stars,
drank in their light with his eyes--and made up his mind. "Agreed."
Vorlick rubbed his hands
together. "Excellent! Come to the spaceport gate at dawn. Bring the
instrument." He turned and vanished into the darkness.
Kriss listened to his
footsteps fade, then turned and walked slowly on toward his room. He
climbed the familiar, rickety wooden stairs on the outside of the old
brick building, past the dingy window through which shone a faint yellow
light from the seamstress's lantern, unlocked his door and went in.
Lighting his single candle, he looked around the tiny chamber. The
ceiling with its small square skylight was simply the underside of the
roof, and so low on one side he had to stoop to get to his bed, the only
furniture aside from a rough-hewn table and rusty metal chair. I won't
miss this, he thought. I won't miss anything on this planet.
But he didn't feel euphoric,
as he had always expected to feel when he finally found a way to fulfill
his dream. Instead he felt--numb? No, not numb--depressed.
Why? he asked himself. I'm
going to the stars--all my dreams are coming true!
But the feeling persisted.
As always when his spirits needed lifting, Kriss took out the touchlyre.
Playing it was cathartic; he could lose himself in music as so many
others on this impoverished planet did in wine.
He held the instrument in his
lap for a moment, running his fingers over the sinuous curves of its
velvety, unvarnished wood. Then he raised it and placed his hands on
the copper plates.
The strings screamed:
discordant, angry, ear-shattering. Kriss snatched his hands away. The
touchlyre had never made a sound like that before! Had he broken it?
He touched the plates again, cautiously, and again the instrument
howled.
Disgusted, he tossed it on
the table. If it was broken, he was well rid of it. He'd find himself
another instrument, from one of those thousand worlds of which Vorlick
had spoken. He undressed, blew out the candle and crawled into bed.
Just before sleep claimed
him, he thought he heard the instrument's strings softly humming; but of
course that was impossible, with no one touching the plates.
He dreamed. He was
performing in Andru's, as he had done so many times, playing of his
longing for the stars. That longing filled him with almost physical
pain, but pain he could bear as long as he kept playing.
But suddenly the touchlyre
disappeared, and he stood on an alien planet, strange and beautiful.
Then another new world surrounded him, and another, and another,
flashing past faster and faster, but no matter how exotic, how
wonderful, they did not satisfy his longing, and the ache grew ever more
acute.
And then he came to a world
where dwelt a man who, he somehow knew, was his father's brother. His
uncle rose to greet him, laughing, and hugged him, welcoming him to his
family...
...but still the longing
burned within Kriss, stronger than ever, so strong he suddenly knew it
could never be quenched, and he broke away and screamed and screamed
and--
--woke, gasping, bathed in
sweat, his blanket a tangled heap on the floor and the scream echoing in
his ears. His scream--or--he glanced sharply at the touchlyre, barely
visible in the faint illumination from the skylight. It seemed to him
he could hear the strings vibrating down to stillness, as though a
mighty chord had just been wrung from them.
Nonsense, he told himself.
He retrieved his blanket. No dreams troubled him the rest of the night.
In the morning he rose very
early, put the touchlyre and the few clothes he owned into a backpack,
and headed down the stairs and through a thin morning mist to the
spaceport. The mountains towering above the city still hid the sun, but
light filled the sky.
Vorlick waited at the
spaceport gate. "Did you bring it?" he asked at once.
"Yes," Kriss said, startled
by the blunt question.
"Take it out. I want to see
it in the daylight."
Nonplused, Kriss did as he
was told. But as he took the touchlyre from its case it hummed to life
in his hands, and from it crashed a single explosive chord that echoed
through the silent streets. Vorlick stumbled back as though slapped.
"What--"
Kriss didn't hear him. The
chord had sent the whole dream of the night before flashing through his
mind, and it suddenly made perfect sense to him. His longing wasn't so
much to see the stars, or even to find his family, but to find himself.
He was doing that, bit by bit, through the touchlyre, journeying into
his own soul to find out what kind of person he was, healing the wound
made when he was orphaned on Farr's World.
Without the touchlyre, he
could never finish that healing process. Wandering around the stars
with the touchlyre lost to him forever would only hurt him worse; and
even if he found a family, he would have lost something just as
important.
Kriss's eyes suddenly focused
on Vorlick. "No."
"No?"
"I've changed my mind. I'll
keep the touchlyre. I'll find my own way into space." He started to
turn away.
Vorlick reached into his
pocked and pulled out something metallic and deadly looking. "Stand
still," he said, his voice as cold as space. "That's not one of your
options. You don't even know what you have, but I do. It's a working
artifact from an ancient, alien civilization, uncovered by two
archaeologists on a planet we may never find again. They fled here with
it when they realized someone knew they had it and was out to get it."
He smiled humorlessly. "Me, of course. It was almost fifteen standard
years ago. I tracked them here, only to find they had died in an aircar
crash. I assumed the artifact was destroyed with them.
"But then, just a few months
ago, a spy on this world told me of a strange instrument in the hands of
a boy--an instrument unlike any other.
"I did some checking. I
found that the archaeologists had an infant son shortly after they
arrived here, who was not in the aircar when it crashed--a baby who has
become a young man--the minstrel with the unique instrument.
"So now, Kriss Lemarc, though
I must withdraw my offer of placing you in a ship's crew, I give you
your parents: Jon and Memory Lemarc, archaeologists. And I also give
you knowledge of what your 'touchlyre' is: the only relic of an ancient
alien culture, and worth a fortune you cannot imagine.
"In exchange for that
information, you will now give me this instrument." Vorlick put his
hand on it. "Or I will kill you."
Kriss tore the touchlyre away
from him. "No!"
And from the strings that cry
of defiance exploded again, with a force that surpassed sound. Kriss,
paralyzed, felt all his violent emotions, fear, awe, defiance, hatred,
pouring through his hands into the touchlyre, adding to the force it
hurled at Vorlick like a weapon. The power coursed through Kriss like a
cleansing tide--and he knew he couldn't stop it if he wanted to.
Vorlick's face paled and
slackened and his eyes glazed, then closed. The gun dropped from his
nerveless hand as his legs buckled, and he dropped to his knees and then
to the ground.
Finally it ended. Kriss
felt, not empty of emotion, but as if he now had room to truly
experience and understand his emotions for the first time, as though a
gritty residue clogging his mind had been washed away.
He looked down at Vorlick and
pitied him. The man lay unconscious, and Kriss knew he had nothing more
to fear from him.
Then he raised the touchlyre,
silent again, and held it at arm's length, studying it in the first rays
of the sun, streaming through a cleft in the mountains behind him like
searchlights. The orange beams made the wood and copper glow,
reflecting the power hidden inside the ancient artifact. Just what that
power was, and where it came from, he might never know: but he knew it
was on his side.
He let his gaze travel to the
tall starships beyond the gate, stark against the brightening sky.
Above the tallest a single star still outshone the dawn light.
Someday, Kriss thought.
Someday I'll make that journey.
That dream was still his: but
now he knew the real journey lay within him. He turned his back on the
spaceport and walked back to his attic room.
In a bar called Andru's,
near the only spaceport of an obscure planet, starship crewmembers come
to sit quietly and listen to a boy play a strange instrument of
space-black wood and burnished copper.
His music sings of the
infinite Dark and the suns that burn within it. It shimmers like
starlight on alien seas, and whispers with the voices of strange winds.
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